We all have celebrity deaths that hit us hard. As a matter of fact, many of us are now mourning former President Jimmy Carter, who lived a long, fruitful life, but we feel his loss nonetheless because he was such a beacon of good for so long, and we mourn that light lost in a darkening world. And I imagine everyone reading this will remember precisely where they were when they heard the news about John Lennon. But, for me, the celebrity death that hit me like a gut punch was five years ago, and that was the death of the incomparable Rush drummer Neil Peart.
I was curled up in my the wingback chair in my bedroom on a Friday night reading and, because our phones have ruined our ability to concentrate, I put the book down for a moment and picked up said phone and was scrolling around on what was then Twitter and started seeing what looked like tributes, so I dared to Google it: he had died earlier in the week, but the family was just releasing the news. I think I forgot how to breathe for a minute. I had the same sort of surreal moment I had when the trooper woke me to tell me I needed to call home the night my daughter died. It's like a part of you separates, floating above, whispering in your ear, saying, "Don't worry, this isn't really happening. It can't be real." But it is real, and when that little denial piece comes crashing back down, it's like a physical blow. I began to cry. And I could not stop. Somehow, I ended up in bed, curled in a fetal position, sobbing. My husband came in to ask what was wrong and actually was irritated with me for a while (looking back, I get it - having lost a child, mourning a person one's never met seems almost like a betrayal to that more significant loss, and he couldn't accept it). When I couldn't get it under control, even into the next few days, just breaking into shoulder-shaking sobs at the drop of a hat, he might not have fully ever understood it, but he accepted my sincerity, and I think he has always felt a tad guilty for his early derision.
Why was I sad? Rush was a massive part of our lives, including my daughters'. They felt like a part of us. Both girls knew the band's work. If they were on the radio when we came home from something, we sat in the driveway and listened until it ended. Rush was the soundtrack of my life. Love or hate them, one has to admit their lyrics, penned by Neil, are thoughtful and well-crafted. And who can argue (I dare you to try) with the genius of his drumming? He was the beating heart of all those songs.
To illustrate how much and for how long I had worshipped at the altar of their music when I was in Bozeman in January of 1992 as my father was dying, I managed to find the Power Windows CD, which I'd had a hard time locating, and even though I didn't have a way to play it, I remember just holding it as we waited for the ambulance to come to take him back to the hospital the final time (shit, I'm crying now actually) like it was a talisman. A year later, I sat in the airport waiting area in Austin listening to Counterparts on a Discman, waiting for Mom to fly in so we could drive to San Antonio for a reunion of Dad's Air Force group, where he would be memorialized in the courtyard of the Alamo.
But they were the background to happy times, too: I have marvelous memories of traveling with Marissa to see them in concert. I always got a new outfit for a Rush tour, and I remember both kids taking me one year to pick it out for me.Whatever I was doing, happy, sad, small or large, Rush was a part of it. I trusted in them. I trusted that even though Clockwork Angels was clearly their last (and, in my opinion, finest) album, the "fact" of the three of them was still there. They existed, and I felt anchored in that knowledge. And I assumed they would probably come out of retirement from time to time for this or that, and I definitely assumed Neil Peart would continue to write. When those possibilities were gone, I was shattered.
But it was more than that. Neil Peart was 67, not that much older than I was. He had lived the life he had wanted to (despite surviving his own horrific tragedy) and was the master of his craft. But what had I done? And what time would I have left to do it? I was thrown into a crisis, contemplating it.
Those questions that haunted me five years ago have remained. And I feel the clock ticking ever more loudly.
Just hazarding a guess: Neil Peart would eschew the thought of trying to be the inspiration for anybody to do anything. He would tell us to be our own inspiration. I'm curious if Jimmy Carter wouldn't tell all of us, on the other hand, that if we miss the light we believe he was in the world, we should be our own small beacon of light, and he would encourage us to follow a path that we find inspirational.
So today, as I think about those two very different men, I plan to do that in whatever time I have left. But, I'm sorry, Neil, you'll have to accept some responsibility if I follow my true path for teaching me to question my life and pushing me to move in that direction.
Thank you to both men for making the world a better place. That won't change because you're no longer in it. You live on in all of us.